Asthram attempts a psychological thriller with an intriguing premise—public suicides linked to chess and ritual traditions—but falters due to excessive exposition and weak storytelling. Inspector Akilan (Shaam) investigates the bizarre deaths, uncovering connections to an ancient book and a mysterious mastermind.
Despite committed performances, the film relies on heavy-handed narration rather than organic suspense. The concept of hypnotic suicide lacks credibility, and the overwhelming background score disrupts tension. Weak characterization and a sluggish second half further diminish its impact.
“A game of chess with missing pieces.”
Verdict: A promising mystery lost in clumsy execution.
